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IN SITU

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gallery
installations

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commercial
installations

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residential installations

GALLERY INSTALLATIONS

gallery installations

an object's promise

an object's promise was a two-person exhibition featuring suzanne moseley and adrienne shishko hosted by the fort point arts community in spring of 2022. the product of a year-long collaboration that continues to this day, the work in this show unveiled how we use objects to express our identity, connect to the past, and imagine our future – to both beautiful and detrimental effect. in this work, viewers were asked to see objects, not as purely inanimate, but something far more lively. they were invited to explore the energy objects exude and elicit and the ways they influence our decisions, spark our desires and nurture deep attachments. 

an object's promise

traces

traces was a 2014 solo exhibition created in collaboration with beth kantorwitz of bk projects and hosted in the vacant top floor of the old sears building in boston's fenway neighborhood, which later became the building at 401 park. the exhibition featured mixed media paintings meant to evoke abstract urban landscapes marked by the lives lived within them.

COMMERCIAL INSTALLATIONS

quin house boston

two of my paintings, “its presence yielded” and “tied into knots,” are among the prestigious collection the the boston quin house which also boast works by julian schnable, nick cave, and many others. one piece is housed in one of the club’s hotel rooms while the other is displayed prominently in the main salon designed by ken fulk, which and was featured in the august 2021 issue of architectural digest.

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crystal city

part of a  huge public art project created in collaboration with jbg smith, the acquisition of this body of work, including digital building wraps, paintings, and fiber sculptures, was intended to give a very tired development a quick face lift in order to entice a sale. i and one other artist were each assigned two different twelve story buildings and were asked to create art that could translate to this scale. one of my designs was created by translating a mixed media painting in a digital format, the other design was entirely created digitally, using photoshop to modify the drawing done originally on my ipad. it was a great opportunity to create and experience art on that scale.

trio newton

in 2020, over 20 of my works were installed in the newly constructed trio newton, a luxury apartment building located in newtonville, ma. The selected works spanned from early still lifes to more recent abstract works that enlivened the common areas throughout the building.

yosemite eyewear

in 2017, i was commissioned by yosemite eyewear in newton centre to create a series of artworks to be displayed in their showroom. An early foray into found object sculpture, i used this opportunity to repurpose discarded eyeglass frames to create a series of works that not only spares these objects from ending up in a landfill but also captured the balance of down to earth approachability and sleek, modern design that is central the the yosemite brand identity.

RESIDENTIAL INSTALLATIONS

energy of my tribe

black paintings

landmark
ruckus
flux
COMMERCIAL
CRYSTAL CITY
yosemite
trio
energy
residential
black paintins
quin

ruckus

ruckus was a pop-up art gallery created in a vacant storefront in the fenway neighborhood through a partnership with samuels & associates in 2018. The exhibition featured my mixed media paintings and fiber pieces alongside works by cindy cuba clements, jane feigenson, caron tabb, and emma galbard, the show was organized around the premise that each artist has their own story that they wish to express boldly. In conjunction with the artwork, the space was also activated with a series of events including live painting, a story night, and a concert.

flux

this show, exhibited at the piano craft gallery in october 2017, explored the experience of uncertainty, upheaval, and unrest. The six artists, all women, offered specific reactions to impact and change, each with a unique scope. Using a variety of techniques and materials, the work on view aimed to express the forms and feelings of life in a world where nothing can be taken for granted. together, the works strike a balance: emotive and intuitive gestures scream into an ever-darkening abyss while simultaneously telling the story through thoughtful and deliberate engagement about the political and social constructs. 

the truth is buried

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